There is, however, a change going on in the world. There's far more interest in drawing now than there has been in a long, long time. Schools are beginning to teach drawing again in a serious and meaningful way.

Works of art produced in the contemporary world are a further expression of that. But I don't think there is an active, ongoing nihilist self-consciousness in the artist.

Of course, I did lots of what would be called graphic design now, what used to be called commercial art.

I think it has other roots, has to do, in part, with a general anxiety in contemporary life... nuclear bombs, inequality of possibility and chance, inequality of goods allotted to us, a kind of general racist, unjust attitude that is pervasive.

I always felt that I had anxiety of survival in terms of livelihood even when I was making plenty of money.

Pop art is the inedible raised to the unspeakable.

I always felt I needed to teach to survive.