I'm not an equipment nut. I tend to use whatever's at hand. I have several cameras, of course, but I'm not emotional about any of them

That's the most difficult issue for me - to find a subject that holds my interest long enough that I'm prepared to go to work and spend the time and energy to shoot the subject.

I'm not an equipment nut. I tend to use whatever's at hand. I have several cameras, of course, but I'm not emotional about any of them

Which is probably the reason why I work exclusively in black and white... to highlight that contrast.

I deal with this spiritual issue every day - either shooting or processing or sorting or discussing or having conversations - I'm in constant contact with it.

I know where Im going, and I know where Ive been.

I am intrigued with scriptural mythology that tells us that God created a divine feminine presence to dwell amongst humanity. This concept has had a constant influence on the work. I have imagined her as ubiquitous, watchful, and often in motion. This work is, in effect, the photographic image of the invisible.