I lived in Hollywood and, ironically, I didn't know you could just go out and get an agent and go on auditions and try and become an actor, I thought it was like a Masonic thing, like a blood line you had to belong to – until I was 13. Then I realised what you had to do. It is the one thing I know I want to do for the rest of my life.

I spent a long time in art school so I can really draw. I'll doodle and suddenly I'll find the beginning of the movie in one picture. Usually, I start my stuff on the telephone. Right by the telephone I've got a book of doodles. When I'm on the phone, I'll be doing a drawing eventually.

I am completely open to doing a romantic comedy, but I will never do something just for the sake of doing a specific genre or because it's the time or place to do a different type of movie. I think that would be a huge mistake.

Being dubbed as a hunk sort of annoys me. It gives me a yucky feeling.

As we progress into the twenty-first century, anyone who considers themselves a realist will have to make the environment a top priority.

I sometimes have to look back and say, "Wow, this is amazing what has happened to me. I have been able to fulfill a lot of these dreams that I had when I was very young." It's a pretty amazing feeling. But at the same time it becomes addictive!

We actually did a lot of takes on this movie [J. Edgar Hoover]. I never left the set wanting more. That's for sure. I don't know. This was a very difficult character for me and a lot of the other actors here, and at times we went and did 8 or 9 or 10 takes on a single day.