My friends, this body - perhaps more than any other gathering in human history - now faces that difficult task.

The role of Rimbaud is one of the most important roles to play for a young actor.

The Gatsby that I remember reading when I was 15 years old in junior high school was far different from the Gatsby I read as an adult.

I've never tried to reach a certain demographic of an audience or try to say: OK, now I'm going to do this type of film to transition myself into more adult roles. Or a romantic hero. Or whatever it may be.

If a film is good, and I'm sort of able to sit there and absorb myself within that world. And get lost. That is a pretty powerful tool. And there's not many paintings out there, that make me want to stare at it for hours at a time, and wonder where I am!

It's very hard to impose your beliefs or a specific message about any given movie. I think that audiences always extract what they want from a film even if something isn't overtly political. They may or may not get it, and it's hard to control that.

As a little kid growing up in Hollywood, I was called 'a little crazy'. And now I guess I'm still that way.