It was invaluable to have a dear friend who you have known for over a decade, be a partner in a film like Titanic. To have somebody that talented to work against, who's also your friend and who you know you have the best intentions for and vice versa, and who you intrinsically trust to give you their forthright honest opinion about what we're both doing - all that's something you can't really buy.

I think everyone has some sort of connection to Gatsby as a character... he's created himself according to his own emotions and dreams and lifted himself by his bootstraps from a poor kid in the Midwest and created this image that is The Great Gatsby and it's a truly American story in that regard.

The truth of the matter is this - I never look for films specifically, because ultimately if the fundamentals of the character and the script and the director aren't there, it makes it a moot point.

At first glance, you read something on the page and it can seem one way, and you can have your decisions before you wind up on set about what that set is supposed to mean, but until you're actually there doing them, there's really no way to understand it.

Protecting our future on this planet depends on the conscious evolution of our species.

I'm never really conscious of saying, "I'm going to take on a specific role to combat a certain image in the public eye." I think that's pretty manipulative and transparent to the public anyway.

I think actors make the mistake of finding their little niche in the business and once they try to do something a little darker, boom, they get slapped across the face for it, so they go back to what they did before.