I have learned from my experiences in this industry that there is absolutely no way to control people's opinions on your performance in your movie. You go out there, promote your film and hope people like the work you did.

Dreams feel real while we're in them. It's only when we wake up that we realize something was actually strange.

It was closer to manual labor than shooting a film. I always think of something Michael Caton-Jones told me: 'Pain is temporary. Film is forever.'

What I do is whatever it takes, it takes. Sometimes you see a scene right away and a take looks great so you might print that and you might print a couple more and take elements of all three. It just depends. You're looking for the highlights. You're looking for the best elements of the scene, but preferably you'd like to have one good take that would go all the way through.

I've changed. You can't help it. Your mind starts working in a different way. You feel really scrutinised by people.

I don't think there's a specific science you can put on dream psychology. I think that it's up to the, obviously, the individual.

Me, I still believe in paradise. But now at least I know its not some place you can look for because its not where you go. It’s how you feel for a moment in your life when you’re a part of something and if you find that moment, it lasts forever.