I started making work, and it's like, yes you are calling out all of these things that are part of your memory, your body's memory, things that have gone through your pores, what you've seen, what you've experienced, and you spill them out without thinking. I don't think so much about, "Okay, I'm going to make work, and it's going to be about this." It's just going to come out.

If you imagine my studio floor, you can just keep picking it up and getting masterpieces.

If you are working, almost like with layers of the Grand Canyon, there's history within those layers.

I started making work, and it's like, yes you are calling out all of these things that are part of your memory, your body's memory, things that have gone through your pores, what you've seen, what you've experienced, and you spill them out without thinking. I don't think so much about, "Okay, I'm going to make work, and it's going to be about this." It's just going to come out.

The more you touch something, the stronger it becomes.

You know that you don't have all the answers, and the unknown is the best place where you would want to be as an artist, not knowing. That actually leads you to ask questions, and it continuously feeds itself.

The fact is, art is alive. It's moving around. It's alive.