If you are working, almost like with layers of the Grand Canyon, there's history within those layers.
It should be not only a synergy, but a complicity between the viewer and the artist, and so I'm wide open to that.
The more you touch something, the stronger it becomes.
Soap, a cleaning product, can be made from decay.
The fact is, art is alive. It's moving around. It's alive.
There is the artwork that you physically make but there's also the journey that happens on the inside.