You have to have a good script. You have to have compelling and complicated characters that you want to hang out with. Also, since you're going to be living with your crew and cast, I think it's really critical to create a great working environment, because we're spending so many days, so many hours together.

As a storyteller, I think where working in television can almost be like lifting weights - you really have to know what your story is about.

It should not be harder for our daughters to direct than our sons. It should be an equal playing field.

You have to have a good script. You have to have compelling and complicated characters that you want to hang out with. Also, since you're going to be living with your crew and cast, I think it's really critical to create a great working environment, because we're spending so many days, so many hours together.

We sit for a week and listen to an extraordinary amount of people talk about what they do in the intelligence world. It's pretty overwhelming.

You have to have leadership and you have to also have compassion for all the people you're working with. If the demands of the job start to erode that too much, I really have to take a second look at what I'm doing. We get to tell stories for a living and get paid for it. If we're not showing up most days with an attitude of gratitude.