You would think that anyone on a major label would be doing something, but when you speak of major label that means something to maybe a big pop star that might be getting some sort of benefit from the major. But we still don't get anything.

We have the freedom to either play a tempo or not to play a tempo; to play a note or not to play a note; or to play what some people would say is a sound.

They always say that jazz doesn't sell, but it's a lie, because it does sell, and it sells consistently year in and year out.

The way we look at it, everything is a sound.

They're not just interested in one sort of music any more.

What I've been trying to do for years is to get the music played on a station other than jazz stations, you know, to expand the audience.

These people are interested in a wide variety of music, and that's what we're into.