I don't mind suffering as long as it's really about something. I don't mind great luck, if it's about something. If it's the hollow stuff, then there's no gift, one way or the other.

Poetry is the language of extremity. Poetry is a transfer of potency. You feel something potent and then you transfer it onto the page.

I don't mind suffering as long as it's really about something. I don't mind great luck, if it's about something. If it's the hollow stuff, then there's no gift, one way or the other.

A bruise, blue in the muscle, you impinge upon me. As bone hugs the ache home, so I'm vexed to love you, your body the shape of returns, your hair a torso of light, your heat I must have, your opening I'd eat, each moment of that soft-finned fruit, inverted fountain in which I don't see me.

Brimming. That's what it is, I want to get to a place where my sentences enact brimming.

Every time you write a poem it’s apocalyptic. You’re revealing who you really are to yourself.

A door jumps out from shadows, then jumps away. This is what I've come to find: the back door, unlatched. Tooled by insular wind, it slams and slams without meaning to and without meaning.