For me, if I know that I'm with someone that has proven time and time again that they create work that is so different and that they can do what they say they can do and I'm going to have people around me that can challenge me, that's how I view things now.

It was interesting to portray a character that was so far removed from today's world, but was also at the forefront of feminism at that time.

Definitely with the fit of clothing - how it really depends on mere centimeters and millimeters of difference in terms of how lengths can make such a big impact on your shape. I learned how to incorporate a cute peter pan collar on a dress and not make it look juvenile.

I don't wear dresses all the time - it's nice to save those moments for certain occasions and to make it feel extra special.

The idea of improvisation kind of freaked me out.

Everything was just so spot on and character-building for me in terms of creating Celia [Bryant]. The ability to get to wear all these vintage pieces and immerse yourself in that world and get to wear all these amazing hats. And the shoes!

Life works in mysterious ways but when you find your inner glow is back and shining brighter, you know it's right.