For me, if I know that I'm with someone that has proven time and time again that they create work that is so different and that they can do what they say they can do and I'm going to have people around me that can challenge me, that's how I view things now.

Wearing a corset, a ball gown, heels and a swan hat with wings to fight in the forest gave me a whole new appreciation for everyday clothes, because you really become that alter ego while wearing those costumes in those environments on the set. They just influenced everything you tried to do.

I'm such a believer in going to set, even when you're not work because I think the best things to be learned, you don't necessarily get from your own scene or from someone speaking to you and telling you advice. I think it's all about watching and just taking it all in. It's not even when the cameras are rolling, necessarily. You can see how they interact with the rest of the crew, and how they deal with being a character and then being themselves.

The greenhouse scene! It was just so fun to have the romance and the action.

I don't like reading things that people say on the Internet because I know so much of it is not true. I don't want to waste my time worrying about what other people are thinking. I just want to focus on being able to do cool projects.

I love to test boundaries.

How women dressed every single day back in those days is seen as kind of incredible - it must have taken so much time. But there's something so romantic about that because it's so different to how we dress. That aesthetic is so appealing, it's not what we're used to nowadays.