Wearing a corset, a ball gown, heels and a swan hat with wings to fight in the forest gave me a whole new appreciation for everyday clothes, because you really become that alter ego while wearing those costumes in those environments on the set. They just influenced everything you tried to do.

I'm such a believer in going to set, even when you're not work because I think the best things to be learned, you don't necessarily get from your own scene or from someone speaking to you and telling you advice. I think it's all about watching and just taking it all in. It's not even when the cameras are rolling, necessarily. You can see how they interact with the rest of the crew, and how they deal with being a character and then being themselves.

It's really important to stand up for yourself and not always agree with what people say if indeed you don't feel that that's true

Everything for me has happened so quickly. I finished shooting 'The Blind Side' not this past June, but the June before, and all of sudden up to now, it seems like it's gone from zero to 60 for me. I feel so fortunate to be able to say that.

It's great when improv is encouraged. It's a really fun thing. It depends on who's in the movie and how their process works, as well. It takes a director who is open to that because you have a script, but then something funny could happen on set. So, to have people around you who encourage improv is really exciting.

I don't wear dresses all the time - it's nice to save those moments for certain occasions and to make it feel extra special.

I'm drawn to roles that have real substance, that aren't just the victim or the teenage girl or the girlfriend.