I'm drawn to roles that have real substance, that aren't just the victim or the teenage girl or the girlfriend.

I've realized the quirky things that make you different are what make you beautiful.

It's great when improv is encouraged. It's a really fun thing. It depends on who's in the movie and how their process works, as well. It takes a director who is open to that because you have a script, but then something funny could happen on set. So, to have people around you who encourage improv is really exciting.

I would say [I love] writing, because lately I've been finishing my book.

I used to go into rooms of older executives and try to pitch talk show ideas and when I was writing as a journalist I would pitch ideas for my articles and I definitely understand that excitement of a pitch and what that is to be young and a woman and trying to make your voice heard.

I grew up understanding the pros and cons of what you're getting into and knowing what comes with your job. I like to keep my private life private, and then work is work. I feel so far I've had a really good balance with that.

I'm such a believer in going to set, even when you're not work because I think the best things to be learned, you don't necessarily get from your own scene or from someone speaking to you and telling you advice. I think it's all about watching and just taking it all in. It's not even when the cameras are rolling, necessarily. You can see how they interact with the rest of the crew, and how they deal with being a character and then being themselves.