I had a mini marathon once I landed the role - going from 'Splendor in the Grass' to 'Bonnie and Clyde' to 'Shampoo' to 'Reds.' I watched them back to back. I found that when you're in the mood for 'Reds,' you're not in the mood for 'Shampoo.'

I grew up understanding the pros and cons of what you're getting into and knowing what comes with your job. I like to keep my private life private, and then work is work. I feel so far I've had a really good balance with that.

It's great when improv is encouraged. It's a really fun thing. It depends on who's in the movie and how their process works, as well. It takes a director who is open to that because you have a script, but then something funny could happen on set. So, to have people around you who encourage improv is really exciting.

[My book is] a collection of letters and essays about what it takes to be a young woman today. Mostly the taboo things that girls don't want to talk about, but once we do we realize we're not alone.

How women dressed every single day back in those days is seen as kind of incredible - it must have taken so much time. But there's something so romantic about that because it's so different to how we dress. That aesthetic is so appealing, it's not what we're used to nowadays.

People are quick to jump to conclusions.

I was never afraid of going after what I wanted, and making that known, and being vocal about it.