Theresa Rebeck's writing is so scarily funny. I just love how unapologetic she is with her writing: she doesn't try to make her characters likeable or heroic, she just really makes them human. Hopefully, the audience is able to love them in the end - or have whatever feelings that they want to have about all of them - but I love that she doesn't have that agenda. That is something that, as an actress, was really appealing to me; to just get to be in this group of people who are complicated and very human.

Mark Conseulos is so amazing.

Before I ever start a job that I'm really excited about, I usually have some sleepless nights or weeks or months. But that anticipation for a person like me... I don't do so well with a lot of time off.

I re-read a lot of my college writing while we were in rehearsals, and it was so strange. It was wonderful to go back and revisit that part of my life. It did kind of make me hungry for it again.

So, for the most part, I really like when I read a scene that scares me and makes me sweat a little bit, thinking about doing it. That's usually a good sign to me.

Definitely haven't been doing writing. I'm so intimated by it now because I sort of put it to bed after I graduated, and I got so focused on acting. But it is something that I hope get brave enough - even if I just go back it for myself - it is something that is very close to my heart and I do hope that it's not something that is gone forever from my life. I guess that's just a choice; no one's going to that do for me, so I need to be the one to do it.

Being a part of the theater community has been important to me from the time I was a child, through my parents.