For a long time I was cautious of working with my parents because I wanted to feel separate from them in the community. Now there's no more wasting time.

Mark Conseulos is so amazing.

Theresa Rebeck's writing is so scarily funny. I just love how unapologetic she is with her writing: she doesn't try to make her characters likeable or heroic, she just really makes them human. Hopefully, the audience is able to love them in the end - or have whatever feelings that they want to have about all of them - but I love that she doesn't have that agenda. That is something that, as an actress, was really appealing to me; to just get to be in this group of people who are complicated and very human.

I did have wonderful things to draw from, from my own experience and also just from friends and people I'd gone to school with who were very much immersed in this world right now.

I had never done a 90-minute play with no intermission, so it is a bit like you get onto the train and you don't get off until it's over - and it's over very quickly, so don't miss a moment of it. That experience is very rare and specific so don't miss a minute, because there aren't very many minutes of it.

When I was teeny tiny, I definitely had a voice that didn't quite match the way I looked at five.

I will say that I've been lucky enough never to have to do a job I didn't want to do, or a play I wasn't in love with.