The truth is that's always when it's the most fun, when you're able to just be wherever you are, be whatever scene it is you're doing, whatever the incredible actors you're with. Being busy is something that I just love and thrive on.

No, I'm not feminist. I'm not, not a feminist.

Theresa Rebeck's writing is so scarily funny. I just love how unapologetic she is with her writing: she doesn't try to make her characters likeable or heroic, she just really makes them human. Hopefully, the audience is able to love them in the end - or have whatever feelings that they want to have about all of them - but I love that she doesn't have that agenda. That is something that, as an actress, was really appealing to me; to just get to be in this group of people who are complicated and very human.

Being a part of the theater community has been important to me from the time I was a child, through my parents.

For a long time I was cautious of working with my parents because I wanted to feel separate from them in the community. Now there's no more wasting time.

I think every script I read has something that sends me into a state of panic but that usually makes me want to do it.

To get to go from stage to set and back, it keeps you feeling very present, and I think that's always such a wonderful thing in your work because you don't really have time to be as neurotic as I might become.