As someone who's been doing a lot of classical theater recently, I loved the idea of getting to run around in Steven Alan, and not be in a corset and a wig, and not have a dialect, and get to be in a 90-minute play with no intermission, and get to do real comedy.

The truth is that's always when it's the most fun, when you're able to just be wherever you are, be whatever scene it is you're doing, whatever the incredible actors you're with. Being busy is something that I just love and thrive on.

Truthfully, I don't know how those special effects people do it.

It's very hard when you're doing a new play that you believe in, and you want to tell the story in the best way possible.

I've been the victim a lot, so I've often played the person who's getting raped or murdered or abused. And so, to actually be raping and murdering and abusing people is a whole different kind of challenge, and one that was very difficult, at times.

When I was in high school and college, my other real focus was, actually, fiction writing. So in college, I had done all these seminars with these various writers-in-residence.

I had never done a 90-minute play with no intermission, so it is a bit like you get onto the train and you don't get off until it's over - and it's over very quickly, so don't miss a moment of it. That experience is very rare and specific so don't miss a minute, because there aren't very many minutes of it.