For me, work is so satisfying and it's giving me so much, it's nurturing me so much, that I think it sort of makes up for the sleep depravation.

I re-read a lot of my college writing while we were in rehearsals, and it was so strange. It was wonderful to go back and revisit that part of my life. It did kind of make me hungry for it again.

I had never done a 90-minute play with no intermission, so it is a bit like you get onto the train and you don't get off until it's over - and it's over very quickly, so don't miss a moment of it. That experience is very rare and specific so don't miss a minute, because there aren't very many minutes of it.

Before I ever start a job that I'm really excited about, I usually have some sleepless nights or weeks or months. But that anticipation for a person like me... I don't do so well with a lot of time off.

One of my mother's friends said to me, 'Your ex-boyfriends didn't stand a chance with you and your mother.' And I think I probably was unfair to them because she was the first person and the last person I called about every single thing. Sorry, ex-boyfriends.

I know it's such a boring interview sometimes with us at 'American Horror Story', but I just can't say a word. I would certainly love to be back, that's for sure. It's such a great job.

Theresa Rebeck's writing is so scarily funny. I just love how unapologetic she is with her writing: she doesn't try to make her characters likeable or heroic, she just really makes them human. Hopefully, the audience is able to love them in the end - or have whatever feelings that they want to have about all of them - but I love that she doesn't have that agenda. That is something that, as an actress, was really appealing to me; to just get to be in this group of people who are complicated and very human.