I liked writing the negative ads more than - because it's more minor chords.

Lamplighters are the guys who manually turned on all the street lamps in London and turned them off. That was the gig in the 1930s in London.

I still look at that water, and I look at Moana's hair, and I'm just like, "How is this even happening?" It's such an incredible mix of technical mastery and wizardry. It's really incredible. It's layers and layers and layers. It's not unlike building a musical. It's really pretty cool.

The biggest secret weapon we had in regards to really being true to this part of the world, and making sure this part of the world could see themselves in this film [Moana] in a way that felt positive and accurate, was Opetaia, my co-writer, Opetaia Foa'i, who has a great band called Te Vaka and is an amazing musical and cultural ambassador.

Everyday has the potential to be the greatest day of your life

We get the job done. So what happens if we win?

The problem is I got a lot of brains but no polish.