It's an enormous relief to go to work and be an actor and not be worried about writing.

I have been working on this movie [Moana] since before Hamilton happened.

I think I started writing because no one had ever told me you can write about the things you know in a musical. They don't have to come from some far off place.

I remind myself Vincent van Gogh died without having sold a single painting. Like, art is not measured by the trappings that people attached to it. It's the thing itself, and so, as you know, it's been a dream of mine to write songs for Disney, and so, it's really exciting to finally hear. It's two and a half years.

I went to a school where everyone was smarter than me. And I'm not blowin' smoke, I, my, I was surrounded by genius, genius kids. What's interesting about growing up in a culture like that is you go, "All right, I gotta figure out what my thing is. Because I'm not smarter than these kids. I'm not funnier than half of them, so I better figure out what it is I wanna do and work really hard at that because intellectually I'm treading water to, to be here."

I think one of the things that makes theater special is first of all, it's one of the last places you put your phone away. And second of all, it's one of the last places where we all have a common experience together.

I had the good fortune of being 9 years old when The Little Mermaid came out, that whole run of really beautiful Disney musicals, and so, the fact that I got to interview with Ron [Clements] and John [Musker], who directed The Little Mermaid, I was, like, I just walked in and said, "You're the reason I'm even here."