I think when things happen in our lives that we can't truly understand why they destroy us, it's because we can't truly understand or communicate it to anyone else. And that is what is destructive - you can't communicate it to the people that you love and it makes things deteriorate. Or you're hiding from yourself, or you're hiding from somebody else, and that was really fascinating to me... that life isn't like the movies and you can't always point to one thing and explain why you did things that ended up hurting you.

I'm trying not to put pressure on myself to decide what to do at this moment, and just sort of go with what's happening.

After I finished 'E.R.', I wanted to concentrate on re-examining what kind of actress I am and taking time for real-life things.

People are drawn to watching things that are dramatic. And the tighter a relationship is, the more dramatic it can be. That's something family lends itself to. Everybody has family, somewhere, somehow. Those relationships are always very complex. This takes it to almost Greek-tragedy-level heights. That's fun to watch, although it's very uncomfortable. It explores the darkest sense of family.

One of my favorite things to do is not to speak on screen. In theater it's different because there's a lot of emphasis on language - it's a different medium. But that is one of the most wonderful things about film. A person's face can say so much more than their voice can.

I had a really scary pregnancy and a very difficult delivery. My daughter and I are lucky to be alive.

I always had something to think about or draw from, which as an actor is a gift. The beautiful thing about film is that it gets so much closer than stage. I love stage and that's what I started doing and it's a beautiful art form in of itself, but in film you can move your eyes to the side and somehow the audience can fill in the blanks of what you're thinking.