And there is also the paradox that the dominating culture imbues the Indian past with great meaning and significance; it is valued more because it is seen as part of the past. And it is the romantic past, not the present, that holds meaning and spiritual significance for so many members of the dominating culture. It has seemed so strange to me that the larger culture, with its own absence of spirit and lack of attachment for the land, respects these very things about Indian traditions, without adopting those respected ways themselves.

There is a still place, a gap between the worlds, spoken by the tribal knowings of thousands of years. In it are silent flyings that stand aside from human struggles and the designs of our own makings. At times, when we are silent enough, still enough, we take a step into such mystery, the place of spirit, and mystery, we must remember, by its very nature does not wish to be known.

Let's kneel down through all the worlds of the body like lovers. I know I am a tree and full of life and I know you, you are the flying one and will leave. But can't we swallow the sweetness and can't you sing in my arms and sleep in the human light of the sun and moon I have been drinking alone.

There is a geography of the human spirit, common to all peoples.

Mystery is part of each life, and maybe it is healthier to uphold it than to spend a lifetime in search of half-made answers.

The crocodile doesn't harm the bird that cleans his teeth for him. He eats the others but not that one.

There is a way that nature speaks, that land speaks. Most of the time we are simply not patient enough, quiet enough, to pay attention to the story.