And there is also the paradox that the dominating culture imbues the Indian past with great meaning and significance; it is valued more because it is seen as part of the past. And it is the romantic past, not the present, that holds meaning and spiritual significance for so many members of the dominating culture. It has seemed so strange to me that the larger culture, with its own absence of spirit and lack of attachment for the land, respects these very things about Indian traditions, without adopting those respected ways themselves.

There is a geography of the human spirit, common to all peoples.

There is a place where the human enters dream and myth, and becomes a part of it, or maybe it is the other way around when the story grows from the body and spirit of humankind. In any case, we are a story, each of us, a bundle of stories, some as false as phantom islands but believed in nevertheless. Some might be true.

Some people see scars, and it is wounding they remember. To me they are proof of the fact that there is healing.

Poetry has its own laws speaking for the life of the planet. It is a language that wants to bring back together what the other words have torn apart.

There is a still place, a gap between the worlds, spoken by the tribal knowings of thousands of years. In it are silent flyings that stand aside from human struggles and the designs of our own makings. At times, when we are silent enough, still enough, we take a step into such mystery, the place of spirit, and mystery, we must remember, by its very nature does not wish to be known.

Sometimes there is a wellspring or river of something beautiful and possible in the tenderest sense that comes to and from the most broken of children, and I was one of these, and whatever is was, I can't name, I can only thank. Perhaps it is the water of life that saves us, after all.