At the end of the day, life's about realising one's human potential. I don't know if I've realised mine, but I've certainly gone a long way towards realising some goals and some dreams.

I am often asked why I started to write poetry. The answer is that my motivation sprang from a visceral need to creatively articulate the experiences of the black youth of my generation, coming of age in a racist society.

That the language of the poetry of Jamaican music is rastafarian or biblical language cannot simply be put down to the colonizer and his satanic missionaries. The fact is that the historical experience of the black Jamaican is an experience of the most acute human suffering, desolation and despair in the cruel world that is the colonial world.

The more I read my poems, the more I find out about them. I still read them with the same passion I felt when I wrote them as a young man.

....the popular music of Jamaica, the music of the people, is an essentially experiential music, not merely in the sense that the people experience the music, but also in the sense that the music is true to the historical experience, that the music reflects the historical experience. It is the spiritual expression of the historical experience of the Afro-Jamaican.

Writing was a political act and poetry was a cultural weapon.

Back in those early days when I began my apprenticeship as a poet, I also tried to voice our anger, spirit of defiance and resistance in a Jamaican poetic idiom.