Nobody is one block of harmony. We are all afraid of something, or feel limited in something. We all need somebody to talk to. It would be good if we talked to each other, not just pitter patter but real talk. We shouldn't be afraid, because most people really like this contact; that you show you are vulnerable makes them free to be vulnerable too. It's so much easier to be together when we drop our masks.

Soon I will be an old, white-haired lady, into whose lap someone places a baby, saying, "Smile, Grandma!" - I, who myself so recently was photographed on my grandmother's lap.

What I have always loved most in men is imperfection. I get moved by the wrinkles on the throat of a man. It makes me love him more. I think it is sad that more women don't take the chance that maybe men will be moved by seeing the chin a little less firm than it used to be, that a man will be more in love with his wife because he remembers who she was and sees who she is and thinks, God, isn't that lovely that this happened to her. And be moved by life telling its story there.

We need feminist voices today, you know. In my time, we had incredible feminist voices and I'm sure we have it today, too, but in all the massive outlets, maybe the one or two or three voices are somehow disappearing.

August Strindberg gave me the opportunity to have this incredible story [Miss Julie ], about the class system, about unfairness in life, but also this story about man and woman. What I wanted, because he gave me the freedom, to give her a voice that I missed a little in her.

What I have always loved most in men is imperfection.

I'm maybe not so much an exception, maybe because I've lived so long that more is coming, more is there.