I had the advantage, that I know Swedish. So I had the Swedish book and I had a lot of English translations, and German translations, and I did everything to make the best English translation of August Strindberg's Miss Julie I could. And then, there I went. "Oh! I think she's thinking this, but I think she should say it!" And so on. It's wonderful to do that.

What I have always loved most in men is imperfection. I get moved by the wrinkles on the throat of a man. It makes me love him more. I think it is sad that more women don't take the chance that maybe men will be moved by seeing the chin a little less firm than it used to be, that a man will be more in love with his wife because he remembers who she was and sees who she is and thinks, God, isn't that lovely that this happened to her. And be moved by life telling its story there.

I consider myself a realist who wants to stand up for women's voices, not when they try to be the same, but when they stand up for who we are and what we see and how important it is that our voice is heard.

Film is wonderful as opposed to theater, because it will always live there, and they will always be seen.

The Summer Book is beautiful and warm, with the kind of wisdom we can adapt to our everyday lives.

Books have always been living things to me. Some of my encounters with new authors have changed my life a little. When I have been perplexed, looking for something I could not define to myself, a certain book has turned up, approached me as a friend would. And between it's cover carried the questions and the answers I was looking for.

I realize that we've come to a different way of showing movies. But I'm still with the old ways, and I can't change.