I mean, I kind of remember... I'm 36 now, so it's kind of hard for me to relate to what it was like when I was 25, or 24, but I do remember a period in time when that's how I defined who I was, by the music I listened to and the movies I went to.

I try to see interviewing as performance art, and just take it as it comes.

Well, if you've got a one-in-a-million girl don't let her get away; cause the next one-in-a-million girl is a million girls away.

Young kids don't have their identity, so everything is so important. Now I'm mature. I know who I am and I know what my thing is and I know what I'm bringing. It's very clear and defined.

Yeah, I like to be the maker of the art. And I like and want the money. But I don't really dig being famous.

When it's me in my living room, it's pretty pure, and then what gets recorded involves more people, and it keeps escalating from there.

I love scoring. Putting music to picture is a rewarding challenge and one that relies on interpretation of emotion - as in, what is the pivotal feeling in a scene and which character's point of view is driving it at any given moment?