Did the nineteenth-century novelists create more generously than we do now? In a general reading of contemporary work, do you see a lot of new and different characters, or is it the same character who is a stand-in for the writer? And it's interesting enough, but it's a weakness I think. We are much more self-revealing and less able to produce new people over and over again.
Lore SegalFirst book was handwritten, then the printing press, now we've got our Kindles. To be able to push a button and a dictionary comes up. And then, at my age, that I can make the letters any size I want, and that I can carry all of William Shakespeare, all of Gogol, all of Franz Kafka in my handbag? You've got to love it.
Lore SegalThere's that wonderful line in Measure for Measure. I forget which of the characters has committed adultery and is going to die. He looks at his hand and says, "How could this die?" That's the joke. I've always thought, and this is nothing new, that we don't really believe we die. I think you're going to die, because I know that's what happens but I can't imagine I'm going to die.
Lore SegalDid the nineteenth-century novelists create more generously than we do now? In a general reading of contemporary work, do you see a lot of new and different characters, or is it the same character who is a stand-in for the writer? And it's interesting enough, but it's a weakness I think. We are much more self-revealing and less able to produce new people over and over again.
Lore SegalIt's hard for us sophisticates to believe, but the people my parents worked for were good people. They were socialists of the heart. They were Scottish upper class. I don't think they had political theories in the way my lefty friends in New York do but they did all the things that socialists do. My mother was the Jewish cook from Vienna and they would say, "Come and have dinner with us." I spent weekends with them. Who does that? This is Utopia.
Lore Segal