Man is dragged hither and thither, at one moment by the blind instincts of the forest, at the next by the strange intuitions of a higher self whose rationale he doubts and does not understand.

As we passed under a streetlamp I noticed, beside my own bobbing shadow, another great, leaping grotesquerie that had an uncanny suggestion of the frog world about it . . . judging from the shadow, it was soaring higher and more gaily than myself. 'Very well,' you will say, 'Why didn’t you turn around. That would be the scientific thing to do.' But let me tell you it is not done ― not on an empty road at midnight.

When man becomes greater than nature, nature, which gave him birth, will respond.

After chiding the theologian for his reliance on myth and miracle, science found itself in the unenviable position of having to create mythology of its own: namely, the assumption that what, after long effort, could not be proved to take place today had, in truth, taken place in the primeval past.

Some degree of withdrawal serves to nurture man's creative powers. The artist and the scientist bring out of the dark void, like the mysterious universe itself, the unique, the strange, the unexpected. Numerous observers have testified upon the loneliness of the process.

In the days of the frost seek an minor sun.

The freedom to create is somehow linked with facility of access to those obscure regions below the conscious mind.