The creative element in the mind of man . . . emerges in as mysterious a fashion as those elementary particles which leap into momentary existence in great cyclotrons, only to vanish again like infinitesimal ghosts.

Once in a lifetime, perhaps, one escapes the actual confines of the flesh. Once in a lifetime, if one is lucky, one so merges with sunlight and air and running water that whole eons, the eons that mountains and deserts know, might pass in a single afternoon without discomfort.

We cannot pluck a flower witout disturbing a star.

[On common water.] Its substance reaches everywhere; it touches the past and prepares the future; it moves under the poles and wanders thinly in the heights of air. It can assume forms of exquisite perfection in a snowflake, or strip the living to a single shining bone cast up by the sea.

It is frequently the tragedy of the great artist for example Vincent Van Gogh, as it is of the great scientist, that he frightens the ordinary man. If he is more than a popular story-teller it may take humanity a generation to absorb and grow accustomed to the new geography with which the scientist or artist presents us. Even then, perhaps only the more imaginative and literate may accept him. Subconsciously the genius is feared as an image breaker; frequently he does not accept the opinions of the mass, or man's opinion of himself.

It has been asserted that we are destined to know the dark beyond the stars before we comprehend the nature of our own journey.

The secret, if one may paraphrase a savage vocabulary, lies in the egg of night.