[On common water.] Its substance reaches everywhere; it touches the past and prepares the future; it moves under the poles and wanders thinly in the heights of air. It can assume forms of exquisite perfection in a snowflake, or strip the living to a single shining bone cast up by the sea.

We are rag dolls made out of many ages and skins, changelings who have slept in wood nests, and hissed in the uncouth guise of waddling amphibians. We have played such roles for infinitely longer ages than we have been human. Our identity is a dream. We are process, not reality.

I am older now, and sleep less, and have seen most of what there is to see and am not very much impressed any more, I suppose, by anything.

There is nothing very 'normal' about nature.

It is frequently the tragedy of the great artist for example Vincent Van Gogh, as it is of the great scientist, that he frightens the ordinary man. If he is more than a popular story-teller it may take humanity a generation to absorb and grow accustomed to the new geography with which the scientist or artist presents us. Even then, perhaps only the more imaginative and literate may accept him. Subconsciously the genius is feared as an image breaker; frequently he does not accept the opinions of the mass, or man's opinion of himself.

The need is not really for more brains, the need is now for a gentler, a more tolerant people than those who won for us against the ice, the tiger and the bear. The hand that hefted the ax, out of some old blind allegiance to the past fondles the machine gun as lovingly. It is a habit man will have to break to survive, but the roots go very deep.

In the desert, an old monk had once advised a traveler, the voices of God and the Devil are scarcely distinguishable.