There's something I find highly embarrassing about it. As soon as I think I've written something smart, the next day I've got nausea, thinking, "Don't even try to be smart, it's absurd."

Yeah, you always have to be there and remind people of you. It's complicated when you do music, or when you do anything in general. You need time. I don't know if it's because of the weather or what, but [Canadians] seem to have a relationship to time that I like very much.

As soon as it's behind computers and machines, which the majority of the planet loves, I find it cold. I need to hear breathing. I like the idea of the mic being a captation of everything that's happening around.

I always loved singing, but I thought it was like drawing - just something you do in your own little corner to calm yourself down. But when my friend, the French songwriter Etienne Daho, listened to my songs, he was so moved that told me that I had to do a demo, share them with the world.

My mother always spoke to me in English, so it's technically my maternal language, and it became a kind of private language - I was happy that I could speak in English to my mum and the majority of people wouldn't understand it.

It doesn't help that we are three generations of actresses, who are always obsessed with losing time. But on the other side, historically, women have much more time on their hands than before. It goes together-the more time we have, the more we're flipping out about how we've got to deal with it.

It's true that the biggest value of life is that it's going to stop. I was thinking when I was in New York the last time that all that we see that has importance is man-made. It isn't nature-made. And when I was looking through the window, looking at New York, I was so moved by humanity's desire for immortality-because that's what it is.