There's something I find highly embarrassing about it. As soon as I think I've written something smart, the next day I've got nausea, thinking, "Don't even try to be smart, it's absurd."

I have a strong and strange character, and I've rarely met directors who knew what to do with this character. One of the few who did was my father, and in the theatre, Arthur Nauzyciel.

There is a thing where I get scared watching other people, and really realize, My God, their happy lives are going to stop. Sometimes you feel that people have 19 jokers in their back pocket and, because of the way they're living, you're like, Do you know that this is not going to happen over and over again forever?

I'm in my father's car at age 9 or 10 crying to Leonard Cohen's 'Famous Blue Raincoat,' thinking that you could write nearly a love letter to a man who betrayed you by having an affair with your wife. I was thinking how wonderful and pure music can be for explaining situations.

My mother always spoke to me in English, so it's technically my maternal language, and it became a kind of private language - I was happy that I could speak in English to my mum and the majority of people wouldn't understand it.

Home has always been wherever I am. I'm not very attached to walls - or people, for that matter - so I've always loved travelling around. A book in my back pocket, a diary, and a pen is all I need to call any place home.

I'm a bit of a contrarian, so I like the idea of going on stage without makeup, without the hair being done, in the jeans and shirt I've been wearing all day. At first that was an issue, because I didn't want to be disrespectful.