I wish I could be more serious about painting. I think there may be something going on there and I should pursue it. I'm very old-fashioned - even with the music. I realize, while I have so much respect for the kookiness of people who go for it, who paint with their eyes closed, I am superclassical.

I was raised by muses. Women who had men in awe of them and who wrote them movies and wrote them music.

I've always found that fashion is, first of all, mainly for yourself. So my two icons are, on one side, Little Edie from 'Grey Gardens' and, of course, like all my generation, I'm influenced by Kate Moss.

There's so many good books, but I'm always like, "I'm sorry, I have five more Faulkners to read, I can't be bothered." Most of the time when you try, you fall on the wrong one.

There's something I find highly embarrassing about it. As soon as I think I've written something smart, the next day I've got nausea, thinking, "Don't even try to be smart, it's absurd."

In England you laugh at yourselves, in France we laugh at others.

I listen to a variety of music. The only common point is strong lyrics; I'm more obsessed with lyrics than music. I need to hear a form of truth, and if it's a hard truth, even better.