When I was in film school I was learning more theory than practice.

Great actors are so easy to direct. It's like they're big 747s that you just have to move left and right, and I don't really need to direct. I need to put them in the right costume, with the right haircut, in the right location, and with the right actor to act with.

I’m stuck somewhere a small island in the middle of the Atlantic where I’m alone. Because in France, they’re like, no, you’re not like us, you’re not a French guy. And in America, they’re like, you’re not like us. I’m really alone in my little thing.

The 2-D movie works as well as the 3-D movie. I want to make sure that people like the 2-D version. It's not a gimmick. It actually improves the viewing experience, but the movie stands on its own.

Some directors are like it's their... nothing can change, nothing can move. I like collaborating, even when an extra has an idea, I like to bring to really have collaboration.

When I was in film school I was learning more theory than practice.

You always have three movies that you have to reduce into one. You have the screenplay. And then, you do a workshop and you add more scenes. And then, on the day you shoot, there's more action and interaction. It's like a souffle. It has a tendency to just grow and explode, and it's just too long.