All the superhero stuff is Greek myths and Greek gods, wearing tights and capes. That's what they are. That's what I gravitate towards.

I love comedies and I like sometimes comedies have a tendency to get a bit lazy. ‘The Other Guys’ was not lazy.

You always have three movies that you have to reduce into one. You have the screenplay. And then, you do a workshop and you add more scenes. And then, on the day you shoot, there's more action and interaction. It's like a souffle. It has a tendency to just grow and explode, and it's just too long.

It’s funny, I started by making fake American movies, The Transporter and stuff like that. I was shooting in France, but everything was in English. But then afterwards, I was looking at real French movies like the Jacques Audiard movies.

When I was in film school I was learning more theory than practice.

All the superhero stuff is Greek myths and Greek gods, wearing tights and capes. That's what they are. That's what I gravitate towards.

Some directors are like it's their... nothing can change, nothing can move. I like collaborating, even when an extra has an idea, I like to bring to really have collaboration.