This so gnawed at him on some nights that he lay awake wondering just how many unknown and similarly inconsequential accidents and bits of happenstance were at this moment occurring or failing to occur in order to ensure he took his next breath, and the next.

Right and wrong were shades of meaning, not sides of a coin.

We passed over in a sweep of sorrow that would persist into our small forever. We just keep going.

Add there was that moment when my mother and father walked in the door disguised as old people. I thought the miles in the car had bent them, dulled their eyes, even grayed and whitened their hair and caused their hands and voices to tremble. At the same time, I found, as I rose form the chair, I'd gotten old along with them.

We started dying before the snow, and like the snow, we continued to fall.

He had a thousand-year-old stare.

I make very involved drawings, even little structures, and try using design to figure out the rhythm of a plot. If there are several narrators then a clue has to pop up in the first line. There have to be certain grammatical clues, or distinctive names.