I don't want to show kids that I am smoking.

Sometimes I see people finish a film and they go, "Yeah, that was good. Where are we going to eat?"

My concern 99% is about the storytelling, the emotion and all this. I never think about the format of anything until way far in the process and when we arrive to the fabrication of the thing then we start to say, "Okay right, what is the best thing we can do." I choose the car before to choose the color.

I did The Fifth Element and [Jean-Claude] Mezieres, the artist of Valerian; he was working on Fifth Element. And he's actually the one who say, why don't you do Valerian? And I said because we can't make it. And you really have to wait for Avatar and to suddenly think oh okay, maybe we can think of it. But before Avatar, just forget it.

I never think about franchises, to be honest. I always just do the film.

I wanted to prove that I could do something, so I made a short film. That was in fact my main concern, to be able to show that I could do one.

I said if I made 10 films in my life, I would be very lucky. That's how I meant it. My fear after my first one was whether they would let me make another one, so I had this goal in my head.