My concern 99% is about the storytelling, the emotion and all this. I never think about the format of anything until way far in the process and when we arrive to the fabrication of the thing then we start to say, "Okay right, what is the best thing we can do." I choose the car before to choose the color.

What a director is looking for is someone who will follow you and no matter what. And if you ask for blue, he's gonna try blue. And if you say, give me a piece of red with it, and they try. And you don't mind so much if it's difficult to get the blue and the red together. As long as they try. And as long as they give everything they can to give you what you want. That's what I'm looking for.

Cara [Delevingne] I wanted to be sure that she would be involved. 'Cause she didn't do a lot of films before I met her, so I didn't know if she was serious and so I push her a bit.

I'm always attracted by people who are lost in their time. I think it helps us.

Loving a film is like falling in love with a woman or with a man like you never expect it. It it's not the one you think you will be in love with, you know. You think always that he will be with a beard, and black, and big and finally he's Chinese and you know it's the same thing. There's something very organic about the film and if you forgot it, if you don't have this seed in it...this organic flavor in it the film doesn't work it's wrong.

I wanted to do something that was entertaining - but with a catch.

You know sometimes you're in a position of risk and you feel that you can turn good or bad.