Ninety percent of the time, I'm wearing imaginary people's clothing. I don't feel a huge pressure to go out and like, hit the town, hit the boutiques.

I rarely accept things on blind faith, especially the orthodoxy of any given practice, or any given practicum. I'm like, "Oh come on. Is this the way to do things?"

I like the idea of building this wandering, epic narrative in a form that people don't expect epic narratives to appear.

Oftentimes, when people don't respond to text messages or emails, I just start writing long, long in-depth essays and diatribes where characters start to appear and narrative threads begin.

There is a somewhat-surprising, somewhat totally predictable paucity of struggle in entertainment television. I do like being a part of a show featuring a family from a struggling socioeconomic strata.

That honeymoon phase is so much fun in real life, when you meet and discover somebody new and fall in love and chase them. The pursuit. And that climactic final moment of ultimate togetherness.

It's ridiculous. My life's been a series of happy accidents.