It's a matter of resisting what something made you feel before. And resisting that as a consumer is not easy. I know it isn't for me, and not just when I consume pop culture. When I go into a book and it feels too familiar, I don't have the energy to do it. My whole reason for reading it is to be in a fictive space that is unfamiliar to me.
Lucy CorinI'm a horrible historian. My memory is bad. I read things and then I forget them. I can't understand dates and I can't measure time. Time is confusing to me. That's why I do a lot of manipulations of time in my books, in part because an orderly time is physically difficult for me to conceive of in my brain.
Lucy CorinFor a really long time [before writing the novel], I was watching a lot of serial killer movies and I started to wonder if this was a trend and if other people were doing the same thing. That's what happens when you suddenly have a critical perspective on your own behavior.
Lucy CorinThe short story is so much about inevitability and this feeling that things always had to be this one way, and I wanted the apocalypses to blow that idea apart. I hope it feels that way. I hope the book invites people to read the stories in order and then, if they feel like it, maybe not read them in order the next time.
Lucy CorinThe story, I like to say and remember, is always smarter than youโthere will be patterns of theme, image, and idea that are much savvier and more complex than what you could come up with on your own. Find them with your marking pens as they emerge in your drafts. Become a student of your work in progress. Look for what your material is telling you about your material. Every aspect of a story has its own story.
Lucy Corin