I really have problems with horror movies. I don't watch them. It's a feeling I don't want to have in cinema. I'm too reactive. It's too draining to watch that kind of movie.

As an actress, I think I really understand that stage where you think you are picking reality in order to feed the fiction, but it happens to be the contrary. It's the fiction that suddenly feeds your reality. And you don't know how it has been done. That's the kind of magical transposition that is art.

'Swimming Pool' was a very important moment for me because the character was written for me.

I'd say people recognize me but having children recognize me is the best. It is a very special thing. Suddenly you feel like you have the power to make the children's dreams come true and it's better than anything else.

I really have problems with horror movies. I don't watch them. It's a feeling I don't want to have in cinema. I'm too reactive. It's too draining to watch that kind of movie.

In 'Swimming Pool,' all the colors are very warm, sunny, the pool and all that. In 'Love Crime,' everything is so cold, and it's all inside skyscrapers.

There's a kind of chemical spark that comes sometimes with the character, that you don't even have to think about how she is reacting, you just let yourself go. You just let the character take you, instead of taking the character.