To have a museum like the Museum of Modern Art in New York is to have power. I don't have any interest in being the director of an institution that has power.

It's very hard to try to be a cultural . . . people who organize cultural things . . . it's very complicated. And more so in a country like Guatemala.

Usually the Indian people are outsiders who have to look up at the people who look down.

Face, to me, is a metaphor of sadness. And I want to share this sadness. I'm not really interested whether it's an Indian face or not - that's not as important for me. But it's still important to establish the relationships in order to bring about a consciousness of our fragility.

I think my relationship with life has changed - I want to make more complex images than before. Complex in the sense that I try to put in a lot of information, sometimes contradictory information.

If you can explain a poem, it is not a poem. Poetry has to be inexplicable.

You never know who will see your images hanging. And I like that. I think you never really have control over the things that you do.