When I was younger, I never had that fascination.

I started doing [acting] for a living, no one really warned me about the amount of traveling I would do. I always thought everything was shot in Los Angeles.

On Broadway and in the United States it's very different - people crossover all the time into television. I think that we'll get there [in London] in the end, but it has to start with who comes to see you in the musical and whether they can see beyond the dancing and the singing.

I think I sort of realized it was an international thing when we went to South Korea for The Fast [and the Furious] 6 premiere. We knew nothing about South Korea, and we came through the sliding doors [at the airport] with my luggage and there were like 60 fans with Luketeer banners: "We're your Korea Luketeers." It was like, wow, this is amazing.

When you're working, you're flying on someone else's buck. When you're flying on your own, you sort of go, 'You know what, I'd rather keep the dosh in my pocket to spend when I get there.

And I knew that, being an actor, you have to take the rough with the smooth and the highs with the lows. That's how it is.

It's never the practice to shoot the scenes in the proper order. Sometimes you shoot the final scenes of a film before you've even started the beginning. So you get good at it because you have to sort of just eliminate the memories of something you've done as an actor, which you haven't done as the character yet. But it sometimes is a bit of a mind-f**k.