You've got to be in the moment and respond to what you're feeling. I try to simplify it as much as possible.

On Broadway and in the United States it's very different - people crossover all the time into television. I think that we'll get there [in London] in the end, but it has to start with who comes to see you in the musical and whether they can see beyond the dancing and the singing.

I think it's a slippery slope to fabricate a different life.

Sometimes I comment, but you have to be careful because if you do it for one, everybody wants you to say something.

I think I sort of realized it was an international thing when we went to South Korea for The Fast [and the Furious] 6 premiere. We knew nothing about South Korea, and we came through the sliding doors [at the airport] with my luggage and there were like 60 fans with Luketeer banners: "We're your Korea Luketeers." It was like, wow, this is amazing.

I felt alive when I read a script and acted out a scene, or sang a song. It was my dream. I'm just very lucky that I'm still doing it and able to earn a living from it.

When you're working, you're flying on someone else's buck. When you're flying on your own, you sort of go, 'You know what, I'd rather keep the dosh in my pocket to spend when I get there.