It's just like I get this identity crisis: my body doesn't want to write, my mind doesn't want to write. Nothing about me wants to write, but I force myself to sit there and try. Nothing happens.

Obviously I attach myself so much to my songwriting. If I didn't attach myself to that being my sole attribute, then I would be fine with those.

I don't have to think too hard to keep my writing within a certain narrative thread. That happens because certain words trigger other associations you have in your mind. So, there is this inherent narrative in the end, whether it is abstract or what.

I wasn't being critical of myself in the way I can normally be, and I was letting myself follow through with stuff. It was like a prolonged spontaneity.

When I'm in writing mode I tend not to listen to music. I usually have a gestation period before I start writing. When I'm listening, it usually happens on the road. So, we'd been listening to a lot of music on tour the year before and all that stuff sank in.

If you produce yourself and you're working in a band, there's certain compromises everyone has to make, because it's a democracy and you have to cater to each other's feelings. When you have a producer, you have this objective ear that's not worrying about protecting anybody's feelings, so he's just making hard decisions based on what works and what doesn't, which was huge for us. I don't think we'd be able to make those decisions by ourselves.

For one, the nonverbal aspects of music are the most important to me. Then, whatever sort of emotion the music carries, intrinsically, dictates the images that unfold, lyrically. Topical writers usually have the topic before they begin writing the song, but, for me, it's the other way around.