Luke Temple Quotes

It seems like journalism over here in UK, in general, is at a higher level: not overrun by all these teeny little blogs. There's more of a historical context for it or something. It seems like people review something or take a listen to something and they really do their homework. That's just what it seems like.

I'm just online too much. I drink too much. A lot of bad things.

I don't have to think too hard to keep my writing within a certain narrative thread. That happens because certain words trigger other associations you have in your mind. So, there is this inherent narrative in the end, whether it is abstract or what.

For one, the nonverbal aspects of music are the most important to me. Then, whatever sort of emotion the music carries, intrinsically, dictates the images that unfold, lyrically. Topical writers usually have the topic before they begin writing the song, but, for me, it's the other way around.

I do love the marriage of words and music. I do love them in terms of little snapshots. But, I guess I understand my own internal world, so there's a well to dip into for me that's easier than getting an idea from reading the newspaper.

I feel like I'm adapting to society. I went feral a little bit. I found that when I would get back to the city, if there was any second-guessing about stuff, it would happen.

I'm still writing songs but leaving them a lot more open and not trying to control every nuance of it.

Obviously I attach myself so much to my songwriting. If I didn't attach myself to that being my sole attribute, then I would be fine with those.

I wasn't being critical of myself in the way I can normally be, and I was letting myself follow through with stuff. It was like a prolonged spontaneity.

I write lyrics really fast. When it's time to write, I usually put them off until the very end and then when it's time to write I can just sit down: I sing the melody, whatever the melody is, because that's the first thing that's already been there for a long time; I start singing it and I start creating consonants and vowels; then they turn into words; then all of the sudden one sentence will happen; then that sentence will dictate how the rest of the sentences happen.

The writing about what you know thing was a huge one. Not worrying so much about what people think. Just writing for myself and the band is enough.

If you produce yourself and you're working in a band, there's certain compromises everyone has to make, because it's a democracy and you have to cater to each other's feelings. When you have a producer, you have this objective ear that's not worrying about protecting anybody's feelings, so he's just making hard decisions based on what works and what doesn't, which was huge for us. I don't think we'd be able to make those decisions by ourselves.

When I'm in writing mode I tend not to listen to music. I usually have a gestation period before I start writing. When I'm listening, it usually happens on the road. So, we'd been listening to a lot of music on tour the year before and all that stuff sank in.

It's just like I get this identity crisis: my body doesn't want to write, my mind doesn't want to write. Nothing about me wants to write, but I force myself to sit there and try. Nothing happens.