I don't have to think too hard to keep my writing within a certain narrative thread. That happens because certain words trigger other associations you have in your mind. So, there is this inherent narrative in the end, whether it is abstract or what.

I wasn't being critical of myself in the way I can normally be, and I was letting myself follow through with stuff. It was like a prolonged spontaneity.

I feel like I'm adapting to society. I went feral a little bit. I found that when I would get back to the city, if there was any second-guessing about stuff, it would happen.

Obviously I attach myself so much to my songwriting. If I didn't attach myself to that being my sole attribute, then I would be fine with those.

For one, the nonverbal aspects of music are the most important to me. Then, whatever sort of emotion the music carries, intrinsically, dictates the images that unfold, lyrically. Topical writers usually have the topic before they begin writing the song, but, for me, it's the other way around.

I write lyrics really fast. When it's time to write, I usually put them off until the very end and then when it's time to write I can just sit down: I sing the melody, whatever the melody is, because that's the first thing that's already been there for a long time; I start singing it and I start creating consonants and vowels; then they turn into words; then all of the sudden one sentence will happen; then that sentence will dictate how the rest of the sentences happen.

If you produce yourself and you're working in a band, there's certain compromises everyone has to make, because it's a democracy and you have to cater to each other's feelings. When you have a producer, you have this objective ear that's not worrying about protecting anybody's feelings, so he's just making hard decisions based on what works and what doesn't, which was huge for us. I don't think we'd be able to make those decisions by ourselves.