You need to think about the system that you live in and the comforts that you have. But the comforts that you have that are causing the discomforts of a massive amount of people around the world.

I definitely want to work with Thom Yorke. I want to work with Damien Marley; there's a few international artists I wouldn't mind working with - like Massacre Children would be ill, and I still have an affinity for the UK hip hop scene.

When I write, it's intimate. I write in the car, and I don't even hear, like, ambulances driving past me because I'm in my car, listening to the music, writing. I record in an attic with no booth. It's not like I'm in the dark with candles, but it's like a house, a home, and I record like that. I think that plays into the music.

I was literally told for 'The Show Goes On' that I shouldn't rap too deep. I shouldn't be too lyrical. It just needs to be something easy on the eyes. Like a record company telling Picasso that we don't need these abstract interpretations of life, where people have to sit down and look at it and break it down.

The biggest budget is the military budget. For what? We're fighting two wars in very small countries that have no nuclear weapons, that have no capabilities to destroy anything. They probably couldn't even get to America.

For me, I walk a line of fame and infamy. I walk the line of celebrity and non-celebrity.

If you're going to fight terrorism, to me, you fight the root causes of terrorism.