It's a funny line when you're walking - the creativity, the subjectivity versus the objectivity, creativity versus the business, and recognizing that you are in the music business, so there are certain things that you have to acquiesce to on the business side and certain creative decisions that you have to make for the purposes of serving the business side of it.

I always say that you define what success is to yourself.

I have people who want to pull me into specific projects in the community based on my music and on the mixtapes. It's like, it's the truth but I'm not trying to preach to you. Because who am I to say what's really right or wrong, or whether what I say is going to change anything? I don't take it too seriously; it's really whimsical.

For me, I walk a line of fame and infamy. I walk the line of celebrity and non-celebrity.

I love jazz. So to me, there are two main types of jazz. There's dancing jazz, and then there's listening jazz. Listening jazz is like Thelonius Monk or John Coltrane, where it's a listening experience. So that's what I like; I like to make stuff that you listen to. It's not really meant to get you up; it's meant to get your mind focused. That's why you sit and listen to jazz. You dance to big band or whatever, but for the most part, you sit and listen to jazz. I think it comes from that aesthetic, trying to take that jazz listening experience and put it on hip-hop.

Your child’s future was the first to go with budget cuts.

I always preach that you have to be active as a citizen no matter what, and some people just voting as an excuse not to do anything.